A Design History of Mother’s Day

vintage mothers day postcards

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Mother’s Day hasn’t just shaped how we celebrate moms—it’s also been a fascinating journey in visual culture. From heartfelt postcards to high-tech animations, Mother’s Day design has mirrored the way we communicate love, gratitude, and family values across generations.

In this article, we explore the evolution of graphic design for Mother’s Day, touching on everything from nostalgic color palettes to memorable ad campaigns. We'll dive into typography trends, fonts, and visual themes, with an international perspective. Whether you’re a brand designer, typographer, or just curious about visual storytelling, this deep dive offers inspiration for future Mother’s Day marketing.

vintage newspaper featuring mother's day ads
An ad for Mother's Day postcards and other souvenirs, published by the Methodist Book Concern in 1915. Source: Stamps.org

1910s–1930s: The Origins of Mother’s Day Design

Anna Jarvis organized the first official Mother’s Day service in 1908. The visual language of the time was soft, sentimental, and deeply symbolic. Early Mother’s Day postcards often featured delicate carnations (Jarvis’s tribute to her own mother), soft pastels, and ornate calligraphy.

  • Typography design for Mother’s Day leaned heavily on Victorian and blackletter scripts.

  • Fonts for Mother’s Day in this era were typically hand-drawn serif types, evoking church bulletins or formal invitations.

  • Color palettes for Mother’s Day focused on muted pastels—rose, lavender, and faded blues.

Early 1910s Mother’s Day postcards with carnations and ornate lettering. The earliest cards were often church bulletins or mailed greetings in subdued tones
Early 1910s Mother’s Day postcards with carnations and ornate lettering. The earliest cards were often church bulletins or mailed greetings in subdued tones. Source: Stamps.org

1940s–1950s: Print Advertising and Domestic Imagery

Post-WWII America saw a boom in consumer culture, and Mother’s Day marketing became mainstream. Greeting cards, chocolate ads, and telegram services used increasingly sophisticated design.

  • Ads like Western Union's 1947 telegram campaign featured spot color layouts with serif headlines and idealized family imagery.

  • Typography for Mother’s Day shifted toward more readable slab-serifs and early sans-serifs.

  • Graphic design for Mother’s Day included charming family scenes, ribbon graphics, and hand-lettered greetings.
A Western Union telegram ad from 1947. The look is straight out of the postwar era: black-and-white family photo with bold serif captions and spot-color highlights (yellow panels with copy). The message reads, “My message, like you, is short but sweet.
A Western Union telegram ad from 1947. The look is straight out of the postwar era: black-and-white family photo with bold serif captions and spot-color highlights (yellow panels with copy). The message reads, “My message, like you, is short but sweet. Source: Saturday Evening Post
This 1954 Whitman’s chocolate Mother’s Day ad screams “mid-century!”: a vivid red background, a real photograph of candy, and a yellow “handwritten” note graphic from a child. It uses cheerful colors and friendly type – Hallmark later noted that 1950s cards often featured cute animals and playful lettering​
This 1954 Whitman’s chocolate Mother’s Day ad screams “mid-century!”: a vivid red background, a real photograph of candy, and a yellow “handwritten” note graphic from a child. It uses cheerful colors and friendly type – Hallmark later noted that 1950s cards often featured cute animals and playful lettering​. Source: Saturday Evening Post
whitmans chocolate and western union vintage ads
More Whitman's chocolate and Western Union vintage ads. Source: Saturday Evening Post

1960s–1970s: Changing Roles, Changing Design

As social roles evolved, so did the aesthetics. Greeting cards included feminist humor, workplace scenes, and even cheeky typography. Some brands introduced groovier, more expressive styles reflecting the pop culture of the era.

  • Fonts for Mother’s Day became playful: psychedelic letterforms, bold slab serifs, or bubbly scripts.

  • Mother’s Day color palettes took on warmer tones—tangerine, mustard, earth tones—reflecting the cultural mood.

  • Card interiors began incorporating storytelling, humor, and emotional nuance.

1950s Mother's day greeting cards featuring cartoon characters and hand written fonts. Source: ideas.hallmark.com.
1950s Mother's day greeting cards featuring cartoon characters and hand written fonts. Source: ideas.hallmark.com.
More mother's day vintage ads from 1950. Source: Vintageinn
More mother's day vintage ads from 1950. Source: Vintageinn

1980s–1990s: Diversity, Humor, and Digital Tools

Designers in this era embraced both computer-generated graphics and heartfelt analog styles. Greeting cards used photo collage, 3D embossing, foil stamping, and increasingly diverse messaging.

  • Mother’s Day design now included cards for single moms, grandmothers, and chosen family.

  • Greeting card brands like Hallmark launched inclusive lines like Mahogany celebrating Black motherhood.

  • Popular Mother’s Day marketing leaned into humor (e.g. “Mom, the original seatbelt”) using bold sans-serifs and retro styles.

More variety in Typography. Source: ideas.hallmark.com.
More variety in Typography. Source: ideas.hallmark.com.

2000s–Today: Digital, Personalized, and Emotional

With the rise of e-commerce, mobile apps, and Instagram, graphic design for Mother’s Day became interactive, shareable, and emotionally cinematic. Brands began blending personal storytelling with sleek design systems.

  • Google created a Mother’s Day Doodle that turned into an interactive card-maker.

  • Typography design for Mother’s Day now includes handwritten fonts, variable typefaces, and modern calligraphy.

  • Fonts for Mother’s Day online often mimic brush scripts, UI fonts, or quirky serif display types.

  • Color palettes for Mother’s Day vary by mood: soft pastels for heartfelt cards, saturated hues for digital campaigns, and minimalist neutrals for luxury brands.

Mother's day greeting cards from 2000s. Source: ideas.hallmark.com.

International Mother’s Day Aesthetics

While the U.S. celebrates in May, other countries observe different dates with distinct design languages. For example:

  • In the UK, Mothering Sunday has a floral, springtime aesthetic with more traditional typographic layouts.

  • In Mexico, Día de las Madres often features vibrant folkloric art, bold type, and marigold-heavy color palettes.

  • In Japan, red carnations and watercolor-style art dominate Mother’s Day design, with delicate calligraphy-style fonts.

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